Conan O’Brien, hosting the 2025 Academy Awards, launched the ceremony with a characteristically witty and self-deprecating opening monologue. He wasted no time in poking fun at both the nominated films and the celebrities in attendance, all while subtly acknowledging the deeper significance of the Oscars within the broader cultural landscape.
O’Brien began by cleverly interweaving film titles with the less flattering names he claimed to have been called on the red carpet. "A Complete Unknown. A Real Pain. Nosferatu," he declared, listing Oscar-nominated films before adding, "All names I was called on the red carpet. I think two are fair." This immediately set a lighthearted tone, showcasing his willingness to be the butt of the joke while also cleverly highlighting the films being honored.
He then moved on to addressing the Best Picture nominees individually, injecting humor into each introduction. Regarding "The Brutalist," O’Brien quipped that he "didn’t want it to end, and luckily it didn’t," a playful comment on the film’s length and, perhaps, its perceived pacing. He tackled "Conclave" with a simple but effective joke about its subject matter: "It’s a film about the Catholic Church, but don’t worry."
His most pointed barb was reserved for "Anora," referencing the controversy surrounding Karla Sofía Gascóns and her publicist, as well as the potential public backlash. "Anora uses the F word 479 times. That’s three more than the record set by Karla Sofía Gascóns publicist," he stated, alluding to Gascóns’ problematic tweets that had resurfaced during the "Emilia Pérez" Oscar campaign. He acknowledged Gascóns’ presence in the audience, noting that she "seemed in good spirits" despite the earlier controversy, a diplomatic gesture that also allowed him to land the joke effectively.
O’Brien also took a playful jab at social media users who might be tempted to criticize the show online. "If you are going to tweet about the Oscars, remember, my name is Jimmy Kimmel," he deadpanned, referencing the previous year’s host and cleverly deflecting potential criticism towards himself.
A highlight of the monologue was his interaction with Adam Sandler. O’Brien called out Sandler for his casual attire – a sweatshirt and shorts – which was clearly a pre-planned bit. "Nobody even thought about what I was wearing till you brought it up!" Sandler retorted, sparking a humorous back-and-forth between the two comedians. The audience even joined in, booing Sandler when he jokingly threatened to leave. Sandler then extended an invitation for a basketball game, further adding to the playful banter.
Beyond the jokes, O’Brien took a moment to acknowledge the often-overlooked contributions of the Hollywood community behind the scenes. He recognized the "crafts people, artisans, technicians and costumers" who contribute to the magic of filmmaking, emphasizing the importance of the Oscars to everyone involved, from those working in Los Angeles to viewers watching from home.
He then delivered a more serious message about the enduring power of cinema. "For almost a century, we have paused every spring to elevate and celebrate an art form that has the power, at its very best, to unite us," he stated, highlighting the ability of film to transcend boundaries and connect people. He acknowledged the challenges facing the world, including "terrible wildfires and divisive politics," but affirmed the continued importance of art and creativity. "So yes, even in the face of terrible wildfires and divisive politics, the work, which is what this is about, the work continues. And next year, and for years to come, through trauma and joy, this seemingly absurd ritual is going to be here," he declared.
The monologue concluded with a return to levity, as O’Brien launched into a short musical number about his intention not to waste any time. The closing line, "Subtle, O’Brien," served as a final self-aware wink to the audience, encapsulating his trademark style of humor.
Overall, Conan O’Brien’s opening monologue was a successful blend of humor, self-deprecation, and sincerity. He managed to entertain the audience with jokes targeted at the nominated films, the attending celebrities, and even himself, while also reminding viewers of the deeper significance of the Oscars as a celebration of art and creativity. He navigated potentially controversial topics with a deft touch, and his genuine appreciation for the Hollywood community shone through. The monologue was a testament to O’Brien’s comedic talent and his understanding of the delicate balance between entertainment and acknowledgment that is required of an Oscars host. It set a positive and engaging tone for the rest of the ceremony, promising an evening of celebration and entertainment.
